43/35
His travels replace panic with melancholy
Tale
Edward, a civil servant, escapes his fiancée Molly on their wedding day in Rangoon in 1917. Molly, a marriage-minded and amused by his escape, follows him across Asia. Official entry of Portugal for Best International Feature Film at the 97th Academy Awards in 2025, Miguel Gomes’ Grand Tour is a visually mesmerizing film that feels like a love letter to Asia, celebrating its rich cultural heritage and landscapes.
This part feels disconnected and almost lost, much like Edward himself
Each shot is carefully composed, with careful attention to framing and timing, creating a sense of immersion that invites the viewer into the world of the film. The use of real locations adds depth and authenticity, making the setting feel integral to the story rather than just a backdrop. The first chapter follows Edward as he flees from his fiancée Molly and sets off on a directionless journey.
As she chases him across Asia, the narrative feels more compact, focused, and directed
The film reflects his emotional state, as he wanders aimlessly without a clear path, allowing chance encounters to dictate his course. By contrast, the second chapter, which depicts Molly’s single-minded pursuit of Edward, has a more defined sense of purpose. Molly’s clear purpose helps guide the viewer through her journey, making it easier to connect with her.
It’s easy to see why Gomes won Best Director at Cannes
The dialogue, mostly in Portuguese, was a refreshing touch and left me wanting more of it. It’s rare for me to see a film where Portuguese takes center stage, which adds another layer of uniqueness to the film. Ultimately, The Grand Tour is a beautiful, contemplative work, filled with stunning visuals, a score, and a palpable sense of care in every frame.
See the full schedule for the 62nd New York Film Festival this fall
His passion for both the story and the setting is palpable in every moment.